康定斯基画册 KANDINSKY 英文原版 抽象派大师艺术绘画作品集 TASCHEN出版Basic Art 2.0系列 下载 pdf 百度网盘 epub 免费 2025 电子书 mobi 在线

About the book：

Over the course of his artistic career, Wassily Kandinsky (1866–1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work.

As much a teacher and theorist as he was a practicing artist, Kandinskys interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual In Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color.

This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artists radical stylistic development, it shows how one painters progression paved the way for generations of abstract expression to come.

书籍简介：

瓦西里·康定斯基(1866-1944)的艺术生涯改变的不仅是他自己的风格，也包括整个艺术史的进程。从早期的肖像和风景画，到后来探索精神性、情感性和节奏感的颜色与线条，因其率先创作抽象式作品而被今人铭记。

康定斯基既是老师、理论家，也是一位实践的艺术家，他对音乐、诗歌、哲学、民族学、神话和神秘学均感兴趣，这些兴趣本身也是他绘画、雕刻的重要组成部分。他参与到蓝骑士社和包豪斯团体中，并且留下了宝贵的遗产，其中不仅包括那些耀眼的视觉作品，也包括比如《论艺术的精神》等颇具影响力的理论著作。他创作的关键性理论原则包括绘画、音乐和神秘体验之间的关联，脱离材质式现实主义的纯粹艺术，以及用色块探索一种情感表达。

本书呈现了康定斯基的重要作品，并由此介绍他在鲜艳的色彩、形式以及感受方面的点点滴滴。在追寻艺术家这一鲜明风格的发展过程中，我们可以看到一个画家为了迎接即将到来 的抽象表现所走过的心路历程。

--------------------------------

About the series（Basic Art Series 2.0）：

Basic Art was born back in 1985 with the very first original TASCHEN publication: Picasso. Since then, the series has evolved into the best-selling art book collection ever published, offering succinct slimline artist introductions across 200 titles, translated into some 20 languages.

For its 30th anniversary, we have given this much-loved series a makeover: Basic Art 2.0, freshly designed, revised, and hardcover bound, but still with the same rock-bottom price tag!

系列简介：

1985年， Basic art系列的首部著作《毕加索》问世，开启了德国TASCHEN出版公司的艺术出版历程。此后的30余年中， Basic art系列始终坚持以简洁、精练的笔法勾勒艺术家们的世界，内容不断充裕，培养了众多忠实读者，成为多年居销量榜首的经典艺术书系。

时至今日，此系列已出版图书近200种，更有多达20种的各国语言版本在世界范围内发行，具有极高的口碑和影响力。

P6 Kandinsky's Beginnings: Mother Moscow 1866-1896

P12 Metamorphosis: Kandinsky in Munich 1896-1911

P34 Breakthrough to the Abstract: Der Blaue Reiter 1911-1914

P54 Russian intermezzo 1914-1921

P62 Point and Line to Plane: Kandinsky at the Bauhaus 1922-1933

P78 Biomorphic Abstraction: Kandinsky in Paris 1934-1944

P92 Wassily Kandinsky 1866-1944 Life and Work

Hajo Düchting studied art history, philosophy, and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay’s Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrücken, and Mainz. Düchting has published numerous articles on the art of the modern era, color theory, and the teaching of art, and has authored a number of TASCHEN titles, including Paul Cézanne, Wassily Kandinsky, Robert and Sonia Delaunay, and Georges Seurat

哈乔·杜汐汀（Hajo Düchting）曾在慕尼黑学习艺术史、哲学以及建筑学， 1981年，在慕尼黑获得博士学位，学位论文研究罗伯特•德劳内的《窗》系列。在从事博物馆和成人教育方面的工作后，他转向教学职位，并在慕尼黑、卡塞尔、莱比锡、萨尔布吕肯、美因茨等多所大学担任客座教授。杜汐汀发表过大量关于现代绘画、色彩理论以及艺术教学的文章，并且为Taschen出版社撰写过数本著作。

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：康定斯基画册 KANDINSKY 英文原版 抽象派大师艺术绘画作品集 TASCHEN出版Basic Art 2.0系列在线阅读

在线听书地址：康定斯基画册 KANDINSKY 英文原版 抽象派大师艺术绘画作品集 TASCHEN出版Basic Art 2.0系列在线收听

在线购买地址：康定斯基画册 KANDINSKY 英文原版 抽象派大师艺术绘画作品集 TASCHEN出版Basic Art 2.0系列在线购买

康定斯基认为，所有的艺术不仅是绘画，也是一种精神重塑的状态，并且通过转向抽象化、元素化变得愈加贴近它们的目标。

在康定斯基早期的抽象绘画中，他通过强调色彩能够引起通感的价值，或通过发现形式会精确地影响观众这一事实来尝试抵消这种危险，因为这些色彩和形象多少还会让人联想到客观具体的形象。

《黑色拱形的绘画》是情绪化地主宰抽象形式的世界的一个美妙例证。这幅作品中三个不同形状的区域彼此对立构成了极具戏剧性的组合。从右下角延伸到画面中心的红色块颜色越来越深，和它相对的是一个蓝色的轮廓，点缀着少量笔触明显的浅黄色和橘红色，一个紫红色的圆形图案在红色块和蓝色块之上。尽管画面下方的两个色块在画面边缘较为稳定，但画面顶端的形式还是通过边角较小的色块显得自由动感。红与蓝调和的紫色似乎在努力融合这种紧张的冲突感。

所有的图像元素奔跑着穿过画面，拱形则给整个画面增加了重量。这个拱形更像是一个直角，连接着三个色块，并起到加强紫红色圆形稳定性的效果。但同时，你也可以把这幅作品看成是一个运动的瞬间，从一个红色色块开始，然后它略微变成紫红色最后滑向蓝色色块。黑色的拱形看上去就像充满能量的火山，作为一个暴力抗争的图像，一边是红色形式，一边是蓝色轮廓。

康定斯基在他表现主义时期的创作中建立的基本主题之一就是冲突，这一主题贯穿他的作品，从包豪斯时期到他后来的作品中。在《论艺术的精神》的一个较为重要的篇章中，他有一段对该作品及与之相伴的主题的实际描述：“或许我们是带着嫉妒与悲悯的心情来听莫扎特的音乐的。乐曲就像是我们内心世界嘈杂混乱中一个难得而愉悦的暂停，是抚慰，是希望，但是听上去又像是来自古老时代的某种回响那样陌生。色彩的冲突、我们失去的平衡感、摇摇欲坠的原则、意料之外的突袭、巨大的疑问、毫无意义的挣扎、暴风雨、断裂的锁链、对立和冲突，这些构成了我们的和谐。”

P10

所有让人痛苦的不确定性、康定斯基曾试图用理性压作的集再一次发作了。他仅需要有人稍稍一推，便会屈服于艺术的诱惑。作为一个对电学也极有兴趣的学者，康定斯基以自己毫不动摇的敏锐视角关注着这一领域的发展。1896年法国物理学家安东尼・亨利・贝克勒尔发现了射线，震惊整个科学界。康定斯基总结道：

“在我的灵魂里，整个世界的衰变恰如原子的衰变。最坚固的墙顷刻崩塌。一切变得不确定、不稳定、软绵绵。如果一个石头都能在我面前融化消失，那么这世上再也没有什么事情能够使我震惊错愕。”

此时，学术的道路对他而言变得虚无不堪，学者所谓的研究不过是无数错误的堆叠。康定斯基早年的艺术爱好、对艺术全神贯注的精神在他从事学术研究时被暂时抑制了，却并没有被完全丢弃。现在它们具有了全新的意义。艺术不再是对抗不可承受的不安与失调的手段，恰恰相反，它是在这个充满矛盾和不一致的世界上获得高瞻远瞩位置的唯一途径。

一个人能够犯的最大的错误就是相信艺术是对于自然精准的重建。

Kandinsky had already drawn attention to the analogies between art, nature and technology in his Bauhaus lessons. But he did not open his own use of ex-pressive form to these insights until after arriving in Paris. These newly acquired resources of form were inspired by the most varied sources, from invertebratesea creatures,the smallest of organisms and zoological prototypes to the embry-ological forms that populate many of his works in his late period between 1934 and 1940. His sources of inspiration included the paintings of his fellow artistsin Paris as well as encyclopaedias and biological works such as Ernst Haeckel's Kunstformen der Natur (Art Forms in Nature) and Karl Blossfeldt's famous photo collection Urformen der Natur (Prototypes in Nature).

Although Kandinsky was irritat...

One of Kandinsky's most successful paintings of this period is Dreamy Im-provisation (ill.p.45). Shapes of various colours surge and soar around a blue centre on a diffuse ground colour. They are accompanied by the "second voices," linear symbols and a scattering of graphic elements which appear on equal terms as completely independent contrapuntal shapes alongside the freely applied col-ours. The entire composition radiates a serene, peaceful atmosphere far removed from the convulsive spasms of other "Improvisations." In this picture Kandinsky walked the thin line between the extremes of "dead" abstraction: "This way lies today between two dangers. On the one hand is the totally arbitrary application of colour to geometrical form - pure patterning. On the other hand is the more naturalist...

书籍介绍

About the book：

Over the course of his artistic career, Wassily Kandinsky (1866–1944) transformed not only his own style, but the course of art history. From early figurative and landscape painting, he went on to pioneer a spiritual, emotive, rhythmic use of color and line and is today credited with creating the first purely abstract work.

As much a teacher and theorist as he was a practicing artist, Kandinskys interests in music, theater, poetry, philosophy, ethnology, myth, and the occult, were all essential components to his painting and engraving. He was involved with both the influential Blaue Reiter and Bauhaus groups and left a legacy not only of dazzling visual work, but also of highly influential treatises such as Concerning the Spiritual In Art. Key tenets included the connections between painting, music and mystical experience, and the purification of art away from material realism and towards an emotional expression, condensed in particular by color.

This book presents key Kandinsky works to introduce his repertoire of vivid colors, forms, and feelings. Tracing the artists radical stylistic development, it shows how one painters progression paved the way for generations of abstract expression to come.

书籍简介：

瓦西里·康定斯基(1866-1944)的艺术生涯改变的不仅是他自己的风格，也包括整个艺术史的进程。从早期的肖像和风景画，到后来探索精神性、情感性和节奏感的颜色与线条，因其率先创作抽象式作品而被今人铭记。

康定斯基既是老师、理论家，也是一位实践的艺术家，他对音乐、诗歌、哲学、民族学、神话和神秘学均感兴趣，这些兴趣本身也是他绘画、雕刻的重要组成部分。他参与到蓝骑士社和包豪斯团体中，并且留下了宝贵的遗产，其中不仅包括那些耀眼的视觉作品，也包括比如《论艺术的精神》等颇具影响力的理论著作。他创作的关键性理论原则包括绘画、音乐和神秘体验之间的关联，脱离材质式现实主义的纯粹艺术，以及用色块探索一种情感表达。

本书呈现了康定斯基的重要作品，并由此介绍他在鲜艳的色彩、形式以及感受方面的点点滴滴。在追寻艺术家这一鲜明风格的发展过程中，我们可以看到一个画家为了迎接即将到来 的抽象表现所走过的心路历程。

--------------------------------

About the series（Basic Art Series 2.0）：

Basic Art was born back in 1985 with the very first original TASCHEN publication: Picasso. Since then, the series has evolved into the best-selling art book collection ever published, offering succinct slimline artist introductions across 200 titles, translated into some 20 languages.

For its 30th anniversary, we have given this much-loved series a makeover: Basic Art 2.0, freshly designed, revised, and hardcover bound, but still with the same rock-bottom price tag!

系列简介：

1985年， Basic art系列的首部著作《毕加索》问世，开启了德国TASCHEN出版公司的艺术出版历程。此后的30余年中， Basic art系列始终坚持以简洁、精练的笔法勾勒艺术家们的世界，内容不断充裕，培养了众多忠实读者，成为多年居销量榜首的经典艺术书系。

时至今日，此系列已出版图书近200种，更有多达20种的各国语言版本在世界范围内发行，具有极高的口碑和影响力。